Morpheus Laurence Fishburne. Saga of a group of childhood friends growing up in a Los Angeles ghetto. Furious is not afraid of the razor edges of his neighborhood; he wants to stick around and lead by setting a positive example. Styles manages to teach Tre about everything he needs to learn to navigate his neighborhood, from racial profiling to gentrification.
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Top 20 Best Black Gangster Movies
Hood film is a film genre originating in the United States , which features aspects of urban African-American or Hispanic-American culture such as hip hop music, street gangs , honor killings , racial discrimination , organized crime , gangster , gang affiliation scenes, gangsta rap , broken families, drug use and trafficking , illegal immigration into the United States and the problems of young people coming of age or struggling amid the relative poverty and violent gang activity within such neighborhoods. Critic Murray Forman notes that the "spatial logic" of hip-hop culture, with heavy emphasis on place-based identity , locates "black youth urban experience within an environment of continual proximate danger", and this quality defines the hood film. With the plethora of films both dramas and comedies, hood films of the '90s are in a sense neo- Blaxploitation films and Mexploitation films. From Wikipedia, the free encyclopedia. Film genre originating in the United States. United States portal.
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No genre illustrates the evolution of cinema better than the crime film. Outside the studios, there is a longstanding tradition — from the B-movies to the Coen brothers — of new directors showcasing their filmmaking chops with dark, stylish, and intense crime sagas. These days, many of the best contemporary directors — including Martin Scorsese, David Fincher , Mann, the Coens, Park Chan-wook and Spike Lee — still love the genre, which has created some of their best work. This list surveys many of those recent highlights. Please note: Since so many film plots incorporate crime, we stuck to films that involved criminal enterprises, solving a crime, or the cat-and-mouse games of crooks and law enforcement.
Black film makers, who have focused largely in recent years on the bleak and corrosive experiences of ghetto youths, are moving toward more expansive and mainstream themes with far greater appeal to wider audiences. Like just about everything else in Hollywood, the change is driven mostly by economics. And to some degree, black directors also yearn to explore new themes. Film makers and studio executives say that the novelty of movies about young people killing each other in the slums has been exhausted and that audiences for such productions are dwindling.